Anima marks one of the highlights of Milton Nascimento's career. On the title cut, he somehow creates a music without passport or lineage. You can try to fit this into the history of Brazilian music, but it really sounds more African. Or maybe it's pop or some new type of jazz. You might even be forgiven for labeling it as a crazy takeoff on the minimalism of Terry Riley and Philip Glass. But toss all the labels out the window. This is Milton's universe, and he has created an individual soundscape out of his own personal musical journey. He enlists the group Uakti to help out with their unusual homemade instruments, and layers shimmering, echoing vocals on top of a hypnotic rhythm. This is magical stuff, the sonic equivalent of pixie dust. In fact, the whole Anima project marks a milestone in modern world music. It's a shame it isn't better known. (Ted Goia)