Bowie

Bowie

A private photo session from 1974 with the iconic performer featuring many images seen here for the first time.

David Bowieâ€™s unexpected death has invited intense scrutiny over the rich and complex imagery and signifiers in theÂ videos released for Blackstar, his last, enigmatic album. At press time for this book, a Bowie superfan alerted us to theÂ remarkable similarities between these videos, particularly â€œLazarus,â€ and the photo shoot that comprises the bulk of thisÂ book.

â€œDavid said to wish you all the best with this project,â€ replied Bowieâ€™s assistant in October 2015, when Steve Schapiro wrote asking for aÂ small text contribution to this volume reproducing their epic photo shoot in Los Angeles from 1974. â€œWe look forward to theÂ book next Spring! [of 2016].â€

Bowie, by 1974, was evolving yet again in his spectacular journey as one of pop musicâ€™s most creative and brilliant minds.Â A music-writing tour-de-force, Bowie was also widely regarded as a fashion icon, pushing the envelope of sexuality andÂ style. Bowie had introduced the world to Major Tom, lived the life of Ziggy Stardust, and had just launched Aladdin Sane;Â the albums Pin Ups and Diamond Dogs soon to follow.

Late that year, photographer Steve Schapiro seized upon a rare invitation from Bowie's manager for a private photoÂ session with the pop star in Los Angeles. The fruit of that dayâ€™s collaboration between Bowie and Schapiro would provideÂ some of the most iconic album art and magazine shoots produced that decade, including album covers for the albums Station toÂ Station and Low. The Thin White Duke was ascending.

These mostly never-before-published images represent Bowie at his most creative and inspired self and offer a rareÂ glimpse into a collaborative process that created phenomenal iconography in the Bowie oeuvre. â€œFrom the moment BowieÂ arrived, we seemed to hit it off. Incredibly intelligent, calm, and filled with ideas,â€ remembers Schapiro. â€œHe talked a lotÂ about Aleister Crowley, whose esoteric writings he was heavily into at the time. When David heard that I hadÂ photographed Buster Keaton, one of his greatest heroes, we instantly became friends.â€

Bowie and Schapiro kidded and laughed about shooting a series of close-up portraits on a putrid green backgroundÂ because they felt it was the worst possible background color for a magazine cover, and so they shot one on a larkâ€”theÂ image eventually became a People magazine cover in 1976.

The first photo session started at four in the afternoon and went through the night until dawn. Bowie went throughÂ countless costume changes, each one seemingly befitting an entirely new and unknown Bowie persona. Most incredible,Â from a vantage point some 40 years later, was the costume and doodles of a particular session: Bowie dressed in blueÂ slacks and cropped shirt, painted with diagonal white stripes, and scribbling what appears to be a diagram from the
Kabbalah. They show up again in the video accompanying the song â€œLazarusâ€ on the Blackstar album.

A delight for Bowie fans of all intensities and degrees, Bowie provides a rare look at a remarkable musical genius in theÂ throes of creative exploration.
Country USA
Brand powerHouse Books
Manufacturer powerHouse Books
Binding Hardcover
ItemPartNumber 43543017
ReleaseDate 2016-04-20
UnitCount 1
EANs 9781576878064

Country	USA
Brand	powerHouse Books
Manufacturer	powerHouse Books
Binding	Hardcover
ItemPartNumber	43543017
ReleaseDate	2016-04-20
UnitCount	1
EANs	9781576878064

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