The Dismemberment Plan may be associated with the DC punk and emo-core scenes, but with their layered keyboards (three-quarters of the members contribute) they are never what you expect. The uninitiated might take exception to singer Travis Morrison's voice, but his nerdy charm, lyrics, and falsetto tend to take hold, as legions of devoted fans will attest. Some might wish DP would remake 1999's Emergency and I; instead, they enlisted Emergency's knob-twiddler, J. Robbins (Jawbox) and expanded their songwriting. Tons of vibrant noise is thrown down and the rhythm section deserves particular kudos. In many ways DP are more jazz than rock at this point. But the sonic spectrum is so wide that the songs never sound crowded. Continuing the tradition of peppering puzzle-like structures with disparate influences (hip-hop, funk, punk, new wave), Change--though thoroughly modern--evokes some good bits from the '80s. There's a bit of the Police (drumming by Joe Easley), U2 (Edge-like rattle and treble-kick guitar), and Talking Heads (quirky, African-sounding rhythms), but it's all mixed with a buzzing excitement, an electricity that hasn't burned out but increased in voltage. --Cyndi Elliott