Poetry. DREAM MACHINE, Sade Murphy's debut collection of prose poems, is a catalog of violence and somnambulant obsessions. This numerological tour de force creates a dreamscape that reflects various violence-saturated landscapes, including physical, sexual, psychological, racial, and gendered. Among these, the speaker of the poems both enacts violence and receives it, and violence becomes a neutral tool, taking on the qualities of the body that wields it. Both excessive and inclusive, the collection probes the speaker's desire to hold order and chaos, good and evil—any false dichotomy—simultaneously in tension and in harmony. To disturb these oppositions, Murphy invents Him, an uncanny, destructive, confining—yet somehow alluring—presence to interrogate the male gaze and normative masculinity. In conjunction with the nightmare man and mother, Him completes a trifecta of forces, both real and symbolic, that the dreamer must navigate and extricate herself from to attain the freedom she seeks.