Handel: Ariodante

In Ariodante, DiDonato takes the title role of a young prince -- remaining in male mode throughout after her recent gender-swapping antics on the operatic recital CD `Diva, Divo', The role was written for the star castrato Carestini and includes two contrasting showpieces -- `Dopo notte' and `Scherza, infida' -- both among the most famous of all Handel's opera arias.

When DiDonato sang Ariodante in Geneva in 2007, the Financial Times wrote: "How confidently she brings off trouser roles and what spinetingling effect she puts into a bravura piece such as `Dopo notte'", while the Neue Zürcher Zeitung felt that: "her bright, homogeneous mezzo soprano is wonderfully suited to the passionate lover who, just before his wedding, believes he has been deceived by his betrothed." The supposedly unfaithful Princess Ginevra is sung here by the sensuous-toned Canadian soprano Karina Gauvin, praised in Handel by Opera News for her "tonal substance, even at pianissimo," and her "real bel canto technique, all in one voice from top to bottom; the whole aria is carefully shaped without breaking the Baroque boundaries". Joining DiDonato and Gauvin in the cast are another fine Canadian singer, contralto Marie-Nicole Lemieux, the charming Spanish soprano Sabina Puertolas and the elegant Finnish tenor Topi Lehtipuu.