Concerning James Brawn's In Recital Volume 2, the pianist writes: During the 2014-2015 concert season I played recitals of Beethoven piano sonatas, my Beethoven Odyssey, and also presented concerts comprising many of my favourite shorter pieces. These programmes were titled The Time Traveller and his Muse. Brawn thinks of the grand piano as a sort of time machine that allows him to explore the great music of the past. Given the frenzied pace of modern life, which is driving the human race headlong into an uncertain future, he finds that playing the piano allows him to cherish beautiful moments in time, to travel temporarily in reverse, fleetingly back to the past, following my muse, and connecting with the hearts and minds of the great composers. It is very refreshing to hear an artist talk about interpreting the music of the great composers with utmost respect for the material at hand. The current emphasis often lies on showcasing the individual artist, and the composer can become a mere side note in the process. Yet the task of the interpreter should be to convey the composer's intentions. The combination of respect for the composer and informed individual expression makes for ideal renderings, such as those of the other great pianists who Brawn cites as having deeply influenced his own approach to various works presented here. James Brawn began his career at age 12 with an Australian debut in Mozart s Piano Concerto No.25. Brawn credits subsequent achievements to the great pianists with whom he has studied, taking pride in teachers who trace their pedagogical lineage back to Beethoven, Chopin, Liszt and Clara Schumann. Yet he has forged his own musical path as well as a soloist, chamber musician and pedagogue. Born in England in 1971, his career in music began in New Zealand, where he began piano lessons at age seven. He played Bartok on New Zealand television and won his first awards in Auckland. The family moved to Australia the following year, where he studied with Margaret Schofield, Ronald Farren-Price and Rita Reichman, winning major prizes at all the Melbourne competitions and the Hephzibah Menuhin Award. In 1987, Brawn reached the concerto final of the ABC Young Performers Awards, which led to concerts with the Adelaide and Melbourne Symphony Orchestras. He continued study with Rita Reichman in Philadelphia on a grant from the Australia Arts Council, and in 1988 received a full scholarship to the Royal Academy of Music in London, where he won many recital awards, including the Beethoven Prize and 20th Century Prize. At age 19, Brawn won the Keyboard Final of the Royal Over-Seas League Music Competition at the Queen Elizabeth Hall, which resulted in solo recitals and chamber music partnerships at music societies and festivals in the UK. From 1993-2001, Brawn taught piano and chamber music at King s College and St. John's College schools in Cambridge. In 2001, he returned to Australia to take up a piano teaching position at highly regarded Scotch College, where he co-founded the biennial Scotch College Piano Festival. Brawn has recorded for RTHK Radio 4 in Hong Kong, ABC Classic FM, and 3MBS radio in Melbourne. He returned to the United Kingdom in 2010 and is currently based in the Cotswolds. He performs regular solo recitals in London, including St. James s Piccadilly, Blackheath Halls, Foundling Museum, The Forge, Royal Over-Seas League and St. Olave Church. Significant engagements include the Bosendorfer concert series at St. Mary Magdalene and the Pianists of the World series at St.Martin-in-the-Fields. Brawn has performed in master classes with Andras Schiff, Tamas Vasary and Stephen Kovacevich, and studied chamber music with members of the Amadeus and Chilingirian Quartets. Recital performances have taken him to France, Italy, Hong Kong, Brunei and the United States.
