Please be aware orders placed now will not arrive in time for Christmas, please check delivery times.
Let It Be Naked [Vinyl]
LABEL EMI
180 GRAM VINYL RECORDS - 2-LP - SEALED
LP1
1.Get Back 2.Dig A Pony
3.For You Blue 4.The Long And Winding Road
5.Two Of Us 6.I've Got A Feeling
LP2
1.One After 909 2.Don't Let Me Down
3.I Me Mine 4.Across The Universe
5.Let It Be
LP3
1.Fly On The Wall: Conversation: Sun King / Don't Let Me Down 2.Conversation: One After 909
3.Conversation: Because I Know You Love Me So 4.Conversation: Don't Pass Me By / Conversation:Taking A Trip To Carolina / Conversation: John's Piano Piece
5.Conversation: Child Of Nature / Back In The Ussr 6.Conversation: Every Little Thing / Don't Let Me Down
7.Conversation: All Things Must Pass
LP4
1.Conversation: She Came In Through / The Bathroom Window
2.Conversation: Paul's Piano Piece
3.Conversation: Get Back
4.Conversation: Two Of Us / Conversation: Maggie Mae / Conversation: Fancy My Chances With You
5.Conversation: Can You Dig It?
6.Conversation: Get Back
Australian limited edition 2 LP set. In its original form, "Let It Be" signaled the end of an era, closing the book on the Beatles, as well as literally and figuratively marking the end of the '60s. The 1970 release evolved from friction-filled sessions the Beatles intended to be an organic, bare-bones return to their roots. Instead, the endless hours of tapes were eventually handed over to Phil Spector, since neither the quickly splintering Beatles nor their longtime producer George Martin wanted to sift through the voluminous results. "Let It Be...Naked" sets the record straight, revisiting the contentious sessions, stripping away the Spectorian orchestrations, reworking the running order, and losing all extemporaneous in-studio banter. On this version of the album, filler tracks ("Dig It," "Maggie Mae") are dropped, while juicy B-side "Don't Let Me Down" is added. The most obvious revamping is on the songs handled heavily by Spector. Removing the orchestrations from "The Long and Winding Road" and "Across the Universe" gives Paul McCartney's vocals considerably more resonance on the former, doing the same for John Lennon's voice and guitar on the latter. This alternate take on "Let It Be" enhances the album's power, reclaiming the raw, unadorned quality that was meant to be its calling card from the beginning. EMI. 2005.