Mad Scenes

Mad Scenes

This collection features Natalie Dessay in five scenes of coloratura madness -- or near-madness -- by two Italian composers, two French composers, and one satirising American. Soprano characters who go insane are quite a feature of 19th-century opera, providing composers with an opportunity to write virtuosic and often adventurous music to express the wanderings of the poor heroine's mind. Here, Dessay sings the French version of the Bride of Lammermoor's famous post-nuptial scene. Donizetti's heroine is driven to murder, but Elvira, the bride-to-be at the centre of Bellin's I Puritani, premiered in Paris in 1835, is no particular danger to anyone; her insanity is only temporary and the opera ends happily. Her mad scene, a more conventional operatic construction than Lucia's, features one of Bellini's loveliest fine-spun melodies. Nor is madness terminal in Meyerbeer's Dinorah (1859), set in rural Brittany and notable for featuring a (silent) supporting role for a pet goat. The heroine's delicious `Ombre lÃ©gÃ¨re' is the opera's greatest hit and here Dessay performs the extraordinary feat of singing a stratospheric A flat above top C. Far more tragic in its implications is the mad scene of OphÃ©lie from Ambroise Thomas' Hamlet (1868), described by London's Observer as "a fiendish set-piece which . . . Natalie Dessay carries off with wondrous aplomb". Poor Ophelia strays through a number of contrasting sections before a vertiginous suicidal finale. Dessay has performed OphÃ©lie in London, Barcelona (available on an EMI Classics DVD) and Toulouse, and she returns to the role in Spring 2010 at the Metropolitan Opera. Fast-forwarding nearly 100 years Dessay takes on CunÃ©gonde in Leonard Bernstein's Candide, based on Voltaire's satirical novel and first staged on Broadway in 1956. This is not quite a mad scene: it starts off with CunÃ©gonde bemoaning her descent into vice, but she cheers up at thoughts of her life of luxury, her near-hysterical coloratura Donizetti, Bellini, Thomas, Bernstein, Meyerbeer reflecting the bubbles in her champagne and the sparkle of her jewels. Recorded live at the EMI centenary concert at Glyndebourne, this performance was welcomed by Gramophone as an "hilarious performance, with Dessay dazzling in the lightest of coloratura".
Country USA
Manufacturer CD
Binding Audio CD
ItemPartNumber 5.10E+12
ReleaseDate 2009-11-03
UnitCount 1
Format Classical
EANs 5099969946905

Country	USA
Manufacturer	CD
Binding	Audio CD
ItemPartNumber	5.10E+12
ReleaseDate	2009-11-03
UnitCount	1
Format	Classical
EANs	5099969946905

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