This disc combines two remastered classic Mahler recordings--Szell's Cleveland account of the fourth symphony from 1965, and Davis's reading of the Lieder eines fahrenden Gesellen from 1978--and the pairing is inspired. The Cleveland Orchestra has always had a reputation for phenomenal accuracy and brilliance, and Szell harnesses these qualities to give an almost supernaturally clear account of Mahler's score. Details of lower-string phrasing, thrown-away woodwind chirrups, and muted trumpets supporting a melody are given just the right amount of emphasis to make the surface texture sparkle with life. But, more important, Szell also captures the overall mood of ironic playfulness, while heeding Mahler's own direction with regard to the childlike last movement--"without parody." There is a minor jolt between the symphony and the Lieder--not just in the recording levels, but in suddenly entering Davis's much more impressionistic approach to Mahler. But once adjustment has been made, the rewards are great. He focuses everything on Stade's glorious voice and less on the details of orchestration, which makes for a sympathetic, flexible accompaniment and a moving performance of great pathos. --Warwick Thompson