Torke (b. 1961) writes some of the more interesting minimalism being done today. His punctuated rhythms are always framed around a tonal, melodic core and are as colorful as the titles of the works. But Torke is a bit more than a minimalist; he knows jazz inside and out and makes use of syncopation and even Modern dance rhythms as in Ecstatic Orange. The performance by the Baltimore Symphony Orchestra is quite good, but the booklet notes are obscure and of no help to anyone. Still, the music is what counts. Start here if Torke is new to you. -- Paul Cook