It just keeps getting better! 2017's NOIR CITY Annual 9, the best of the best from the Film Noir Foundation's 2016 quarterly NOIR CITY e-magazines, is a must-have for your growing Annual collection-essays, interviews, profiles, tributes, and reviews of classic and modern noir films from writers at the top of their game-Imogen Sara Smith, Vince Keenan, Brian Light, Jake Hinkson, Martyn Waites, Johnny Shaw, and Eddie Muller, including Eddie's essay on the making of The Murderers Are Among Us. Book layout and design by Michael Kronenberg. And, as with any purchase from the FNF, when you purchase NOIR CITY Annual 9, you'll be helping fund the non-profit foundation's restoration efforts. About the Film Noir Foundation: The Film Noir Foundation is a non-profit public benefit corporation created to educate and promote the cultural, historical, and artistic significance of film noir as an international cinematic movement. It is the foundation's mission to find and preserve films noir in danger of deterioration, damage or loss, and to ensure that high quality prints of these classic films remain in circulation for theatrical exhibition to future generations. Since its founding in 2005, the FNF has restored, through UCLA Film & Television Archive, and returned to circulation nine 35mm films -- Cry Danger (1951), The Prowler (1951), Try and Get Me! (1951), Repeat Performance (1947), High Tide (1947), Too Late for Tears (1949), The Guilty (1947), Woman on the Run (1950), Los tallos amargos (1956 - Argentina). Additionally, the FNF has funded fifteen 35mm preservation prints which have been returned to circulation as well -- eleven U.S. films and four from Argentina.