On the CD s eight tracks, Donelian swings and sings on his instrument with authority and clarity. Six compositions were composed by the leader: The mid-tempo title selection which opens the CD; Spree, a jump-tune that slyly navigates between waltz-time and reggae; the pedal point-propelled basslines of Waiting for Flora ; the Latin-lilted Easy Does It ; the misty and mystical Lady of Ghent, dedicated to his wife; and San Souci, another waltz tune. Two standards round out this delightful and dynamic disc: John Lewis immortal elegy, Django, written for the brilliant Gypsy guitarist Django Reinhardt, recast with Donelian s ingenious melodic reconfiguration; and Sunrise, Sunset, from the Broadway musical Fiddler on the Roof, performed with new horizons.
Donelian s aural alchemy stems from his eclectic cultural and musical biography. Born in 1950 in New York City to Armenian immigrant parents who listened to Armenian, Turkish and Greek music at social gatherings when he was a child, Donelian studied classical piano with Michael Pollon for 12 years at the Westchester Conservatory of Music in suburban White Plains. In 1968 he played Bach, Beethoven, Chopin, Debussy and Prokofiev at his senior recital, but not before joining a jazz group in his early teens led by guitarist Arthur Ryerson, Sr. and immersing himself in the music of Louis Armstrong, Art Tatum, Duke Ellington, Thelonious Monk, Charlie Parker, Miles Davis, John Coltrane, Wayne Shorter, McCoy Tyner, Herbie Hancock and Chick Corea.