Roberta Smith called it “a quiet, cogent tour de force. . . . As one critic’s demonstration of what he considers the best in art and the best way to write about it, this book sets a high standard.â€
Hilton Kramer also noted, “Everyone who cares about the art of the twentieth century will find something to disagree with in this book—its many unorthodox judgments are bound to be controversial—but that, in my view, is a mark of the book’s importance.â€