POINTS OF RESISTANCE

POINTS OF RESISTANCE

In detailing the relationship of three women filmmakers' lives and films to the changing institutions of the post-World War II era, Lauren Rabinovitz has created the first feminist social history of the North American avant-garde cinema. At a time when there were few women directors in commercial films, the postwar avant-garde movement offered an opportunity. Rabinovitz argues that avant-garde cinema, open to women because of its marginal status in the art world, included women as filmmakers, organizers, and critics. Focusing on Maya Deren, Shirley Clarke, and Joyce Wieland, Rabinovitz illustrates how women used bold physical images to enhance their work and how each provided entry to her subversive art while remaining culturally acceptable. She combines archival materials with her own interviews to show how the women's labor and films, even their identities as women filmmakers, were produced, disseminated, and understood. With a new preface and an updated bibliography, Points of Resistance simultaneously demonstrates the avant-garde's importance as an organizational network for women filmmakers and the processes by which women remained marginal figures within that network. patriarchal, resistant film making practice. Rabinovitz convinces us that, in the case of Deren, Clarke, and Wieland, this practice has been articulated strongly since the 1940s - Donald Crafton, author of Emile Cohl, Caricature and Film.
Country USA
Brand University of Illinois Press
Manufacturer University of Illinois Press
Binding Paperback
ItemPartNumber Illustrations
UnitCount 1
EANs 9780252071249
ReleaseDate 0000-00-00

Country	USA
Brand	University of Illinois Press
Manufacturer	University of Illinois Press
Binding	Paperback
ItemPartNumber	Illustrations
UnitCount	1
EANs	9780252071249
ReleaseDate	0000-00-00

You might also like...