Reading the Beatles: Cultural Studies, Literary Criticism, And

Reading the Beatles: Cultural Studies, Literary Criticism, And the Fab Four
- Used Book in Good Condition
Addresses the bandâ€™s resounding impact on how we think about gender, popular culture, and the formal and poetic qualities of music.

Despite the enormous amount of writing devoted to the Beatles during the last few decades, the bandâ€™s abiding intellectual and cultural significance has received scant attention. Using various modes of literary, musicological, and cultural criticism, the essays in Reading the Beatles firmly establish the Beatles as a locus of serious academic and cultural study. Exploring the groupâ€™s resounding impact on how we think about gender, popular culture, and the formal and poetic qualities of music, the contributors trace not only the literary and musicological qualities of selected Beatles songs but also the development of the Beatlesâ€™ artistry in their films and the ways in which the band has functioned as a cultural, historical, and economic product. In a poignant afterword, Jane Tompkins offers an autobiographical account of the ways in which the Beatles afforded her with the self-actualizing means to become less alienated from popular culture, gender expectations, and even herself during the early 1960s.

â€œThis book addresses many of the most significant aspects of the BeatlesÂ—their music and their social and cultural influence and contexts. It finds a balance between specialist knowledge (i.e., musicology) and more general interest, and it covers the full breadth of the Beatlesâ€™ output. The Beatles effected a significant and irreversible epoch in popular music, and for this reason deserve a sound academic study of the many aspects of their arrival, their dominance, their challenges, and their legacy. Such a study is provided here in a diverse and inventive collection of engaging essays.â€ Â— Julian Wolfreys, author of Occasional Deconstructions

â€œThe variety of approaches and issues in this book provides a useful survey of the possibilities of academic approaches to popular music in general, while remaining accessible to music fans. The book is not hagiography; there is an interesting trajectory, from positive appraisals of the Beatlesâ€™ practices in their heyday to more negative assessments of recent efforts to construct their legacy.â€ Â— Neil Nehring, author of Popular Music, Gender, and Postmodernism: Anger Is an Energy

Contributors include John Covach, Todd F. Davis, James M. Decker, Walter Everett, Paul Gleed, John Kimsey, Ian Marshall, Kevin McCarron, William M. Northcutt, Russell Reising, Jeffrey Roessner, Jane Tompkins, Sheila Whiteley, and Kenneth Womack.
Country USA
Brand State University of New York Press
Manufacturer State University of New York Press
Binding Paperback
UnitCount 1
EANs 9780791467169
ReleaseDate 0000-00-00

Country	USA
Brand	State University of New York Press
Manufacturer	State University of New York Press
Binding	Paperback
UnitCount	1
EANs	9780791467169
ReleaseDate	0000-00-00

Reading the Beatles: Cultural Studies, Literary Criticism, And the Fab Four

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