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Sei Still Wisse Ich Bin
Shrink-wrapped
Recorded in 1980 and produced by Klaus Schulze, Sei Still, Wisse ICH BIN (Is quiet, knows I AM) is one of Popol Vuh's sacred music offerings. Like Hosianna Mantra nearly a decade before, this set is regal in its solemnity and in its intensity. Utilizing the Chorensemble der Bayerischen Staatsoper and the soprano saxophone stylings of Chris Karrer, Popol Vuh -- down to a three-piece with vocalist Renate Knaup fronting the choir, Fricke on piano and voice, and guitarist Daniel Fichelscher holding down the drum chair as well, this is a huge recording . Schulze's immediate mix, which brings the vocals into complete balance with the undulating, mantra-like instrumentation, is nothing less than stunning; from Tibetan-style prayer chants to Eastern Orthodox choral scales, from thundering bass drums and cymbals to snaky, elusive, sparse electric guitar lines and Fricke's trademark shimmering piano, each of this album's seven selections is its own kind of masterpiece. It is the perfect marriage of world music utilized in rock & roll fashion, and of both being placed at the service of the Sacred. It is nothing less than awe-inspiring. Thom Jurek All Music Guide Popol Vuh was founded by mastermind Florian Fricke in Munich in 1970 and are known as pioneers of electronic music as well as the predecessors of the 90's ambient and trance genre. Florian Fricke was one of the first German musicians who worked with a MOOG III, an instrument which created a very new and special sound which was profiled on Affenstunde. This album quickly became a milestone and practically created a whole new genre. The name and the book Popol Vuh stems from Incan mythology and is the memory of the evolution of humanity. Florian Fricke doesn't like to categorize his music; "Music is a form of law for me." He died on December 29, 2001 in Munich. Kraut Rock at the highest level made by, and for music fans! This reissue of Popol Vuh's Sei Still, Wisse Ich Bin contains the rare and previously unreleased bonus track King Minos III from the original studio session to the cycle (part I-III) in 1976. The recording descended from the most rock orientated phase of Popol Vuh and is a historical document of the German 70s Krautrock. All Popol Vuh re-releases are manufactured as high quality collector's series with stickers indicating the bonus tracks. The Digipak spines have a design and when all are put together they form one big picture.