The introspective Nine Hearts opens the album: a synth-fused jewel, with hints of Floyd-ian psychedelia, it features dreamy vocals from art rock vocalist Tim Bowness (No-Man). Inspired by the love in friendship, it merges into second track, Burn the Witch, whose edgy, prog rock beats clash with bold drum rolls and wild, orchestral ambience. Other highlights include the first single Le Foucauld, an electronic jamboree of joyous Middle Eastern samples and the lingering, melancholic beauty of ambient track And So We Dream of Futures Lost. The Princess and The Sky Goat, the ninth track on the album, opens with samples of coastal birds reworked into glittering, eerie textures. Dick Parry's saxophone drifts across a mythical soundscape of oceanic calm, the backdrop to an opiate-chilled blend of bruised basslines and rugged riffs. Old time Banco de Gaia fans and contemporary dance-lovers alike will adore 91 - a dark, old school techno anthem, featuring samples lifted from an early Banco cassette-release. A thundering, bittersweet dancefloor filler, 91 is a throwback to the acid house movement and the idealism of the 60's, and speaks to anyone dreaming of how to mend a fragmented world. Sophie Barker, who also wrote the lyrics, shines: her haunting voice, full of longing, calls to us all to keep love alive - not just on the dance floor, but throughout our lives. Poignant parting tracks, soundscape My Midnight Sun and vignette This Heart inspire hope and possibility.. This is more than just an album: it's a piercing lament, a call to arms, a musical pilgrimage, a celebration of love itself. It leaves you with a sense of renewal and a glowing reminder of how music, the universal language, is keeping our dreams alive. The 9th of Nine Hearts is a timeless homage to love, from a legendary artist and something we will all keep returning to. It's definitely Banco de Gaia at his best.