The Art of the Koto, Volume 1
The koto belongs to the family of long zithers, and as with many other Japanese instruments, it can be traced back to the Asian mainland. Its history in Japan spans more than twelve centuries. The slightly convex body of the instrument is a hollow shell made of kiri, or princess tree, and its strings are traditionally made of silk, although nylon strings are now in common use.
In the initial planning stages, it was envisaged that this second volume should continue the chronological survey of the history of music for koto started in Volume One, beginning with the second half of the 19th century, where the first volume left off. Lively discussions amongst those involved, however, encouraged Yoshimura to include two more pieces from the core classical repertoire attributed to Yatsuhashi: Shiki-no-kyoku as an example of his koto kumiuta (`song cycle') repertoire, and Hachidan as the third and final danmono attributed to him. The former, especially, is a brave choice. Although it was by means of mastering the thirty-something pieces of the kumiuta repertoire that musicians of this genre trained until the end of the 19th century, few koto players today are attracted by the refined restraint that they require. In contrast, the danmono repertoire is still extremely popular, and Yoshimura's renditions, in this and the preceding volume, of all three pieces attributed to Yatsuhashi should join the ranks of definitive readings.
Booklet annotation is provided by Associate Professor Steven G. Nelson, the only Western member of staff at the new Research Centre for Japanese Traditional Music, Kyoto City University of Arts, Kyoto, Japan.
Country | USA |
Manufacturer | CELST |
Binding | Audio CD |
ReleaseDate | 2001-08-20 |
Format | Import |
UPCs | 013711318722 |
EANs | 0013711318722 |