While it didn't do for Louisiana music what the film The Harder They Come did for reggae, the soundtrack to director Jim McBride's steamy and stylized cops-and-corruption movie is a pretty good introduction to the region's extensive musical delights (even if gospel's great Swan Silvertones are from West Virginia). The late Dewey Balfa (who appears in the film's sweet porch-party scene) is to Cajun music's rural past what Terrance Simien and Zachary Richard are to its rocking present. Buckwheat Zydeco is to zydeco what Beausoleil is to Cajun: an intelligent synthesis of the old and new that you can dance to. It's a shame the St. Augustine's Marching Hundred's raw and jumping version of "Li'l Liza Jane" didn't make the cut from film to album. And it's an even bigger shame that star Dennis Quaid's awful ballad did. --Richard Gehr