In 1915, Jean Goldkette was the pianist with the ensemble that walked out of Lamb’s Cafe, in protest, when Tom Brown’s “Band from Dixieland†began performing there. Later recalling that first encounter with jazz, he wrote that it made a “profound impression†on him. In fact, he credited the event as having “changed the entire destiny of [his] career.†Indeed, it was not long, thereafter, that Goldkette set aside his ambition to become a concert pianist and began working for Edgar Benson, whose cadre of bandleaders, at that time, dominated Chicago’s music scene. In 1921, Goldkette was dispatched, by Benson, to lead a band at the Detroit Athletic Club. Serving in this capacity, he began building his own operation, and by 1924, Goldkette was providing bands to venues throughout Detroit, including the Book-Cadillac Hotel. It was also, in 1924, that Goldkette organized a full-time band for his own Graystone Ballroom. This was the band that would be most identified with Jean Goldkette. Of course, there would be other well-known Goldkette units, such as McKinney’s Cotton Pickers and the Orange Blossoms (later known as the Casa Loma Orchestra), but during that pivotal period from 1924 to 1928, it was the band known as “Jean Goldkette and His Orchestra†that was first and perhaps most notable in bridging the gap between jazz and popular music. In so doing, Jean Goldkette became instrumental in popularizing jazz, while nurturing many of the idiom’s most formidable talents, including Frankie Trumbauer, Bix Beiderbecke and pioneering bassist, Steve Brown. (Excerpt from liner notes by Jeff Hopkins, 2001)