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Zeiss and Photography
Larry Gubas 2015, HARDCOVER, 9 x 11" (22.5 x 27.5cm); 890 pages plus introduction and foreword, 2200 illustrations and tables, most in color, supplemental disc with a large selection of copies of original Zeiss firm materials. The contributions to photography of firms bearing Zeiss trademarks have been recognized from 1890 to the present day but, until now, no one has taken the opportunity to document these many contributions from the beginning of Dr. Paul Rudolph's earliest Carl Zeiss lenses to the superior lenses of the present day . Most people do not separate these lenses from the cameras and accessories of Zeiss Ikon and other collaborators. Few know much about the firms that were merged into that hugely successful Zeiss Ikon monolith that would challenge the Leica miniature with not a single camera body but with nine quite different and feature laden 35 mm cameras before 1938 while maintaining a product line that covered all other photographic methods, means and formats . Later, the difficulties in restarting the Carl Zeiss and Zeiss Ikon firms after World War II have, until now, only been tepidly explored. Few historians have covered the many fully designed cameras that were prototyped and patented during the war years and then lost to the bombings of Dresden and Berlin. The restart and legal complexities of the post war period and the decisions that led to the loss of not only the leadership of the photo industry but the near destruction of all of the firms themselves have receded into the past with only a foggy incomplete memory remaining.